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ABSTRACT. The focus in this paper is on the relationship of the self to autobiographical memory in Nabokov’s Speak, Memory. Despite the writer’s continuous vacillation between an artist’s imaginative freedom and a memorialist’s strict fidelity in recording the past, Speak, Memory provides a sense of personal identity and continuity. We also aim at accounting for the problematic status and distinctiveness of Vladimir Nabokov’s ars memoriae. pp. 103–107

Keywords: self; memory; identity; Vladimir Nabokov

Remus Bejan
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Ovidius University

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