chunk1

ABSTRACT. This paper is a brief reflection on Jean-Luc Godard’s Film Socialisme pitched as a “pedagogy of the image” that draws on the philosophy of cinema and draws on the activities of the great film directors who are the experimenters and also engage in fierce critique of Holywood’s commodification of the image. pp. 42–47

Keywords: Godard, film, pedagogy, philosophy

 

MICHAEL A. PETERS
This email address is being protected from spambots. You need JavaScript enabled to view it.
University of Waikato
University of Illinois at Urbana-Champaign

Home | About Us | Sales | Author's Page | Journals | Abstracting & Indexing | Contributors | Books | Contact | Online Access

© 2009 Addleton Academic Publishers. All Rights Reserved.

 
Joomla templates by Joomlashine