chunk1

ABSTRACT. The aim of the present study is to examine and evaluate the logic of musical ideas that corresponds to the phenomenological character of music, listeners’ mental representations of sound, and ‘sound’ evaluation of music performers. I am specifically interested in how previous research investigated the art and logic of the composer, the imaginary status of musical “works,” and the formulaic nature of musicological knowledge. pp. 144–149

Keywords: logic, musical idea, sound, composer, performer

 

CRINUTA POPESCU
This email address is being protected from spambots. You need JavaScript enabled to view it.
Spiru Haret University

 
 
 

Home | About Us | Events | Our Team | Contributors | Peer Reviewers | Editing Services | Books | Contact | Online Access

© 2009 Addleton Academic Publishers. All Rights Reserved.

 
Joomla templates by Joomlashine